Category Archive: Southern Fiction

May
20

A Writer’s Parable (from Lisa Wingate)

Happy Monday everyone!  We’re sharing some great parables this week.   Just for reference, I looked up the exact definition:  Parable — a short allegorical story designed to illustrate or teach some truth, religious principle, or moral lesson. 

While “the Prodigal Son” and “The Servants And the Talents” get a lot of press in Sunday school circIMG_0155les, there’s one parable we don’t hear about in sermons and Bible studies very often.  It’s one of my favorites because it speaks to me on many levels, but especially as a writer.  In the Bible, it goes like this:

The Parable of the Workers in the Vineyard

“For the kingdom of heaven is like a landowner who went out early in the morning to hire workers for his vineyard. 2 He agreed to pay them a denarius[a] for the day and sent them into his vineyard.3 “About nine in the morning he went out and saw others standing in the marketplace doing nothing. 4 He told them, ‘You also go and work in my vineyard, and I will pay you whatever is right.’ 5 So they went.

“He went out again about noon and about three in the afternoon and did the same thing. 6 About five in the afternoon he went out and found still others standing around. He asked them, ‘Why have you been standing here all day long doing nothing?’

7 “‘Because no one has hired us,’ they answered.

“He said to them, ‘You also go and work in my vineyard.’

8 “When evening came, the owner of the vineyard said to his foreman, ‘Call the workers and pay them their wages, beginning with the last ones hired and going on to the first.’ 9 “The workers who were hired about five in the afternoon came and each received a denarius. 10 So when those came who were hired first, they expected to receive more. But each one of them also received a denarius. 11 When they received it, they began to grumble against the landowner. 12 ‘These who were hired last worked only one hour,’ they said, ‘and you have made them equal to us who have borne the burden of the work and the heat of the day.’

13 “But he answered one of them, ‘I am not being unfair to you, friend. Didn’t you agree to work for a denarius? 14 Take your pay and go. I want to give the one who was hired last the same as I gave you. 15 Don’t I have the right to do what I want with my own money? Or are you envious because I am generous?’

16 “So the last will be first, and the first will be last.”

Of course, at its heart, this is a parable about grace — about the fact that we can’t earn our way there, no matter the amount of our works, but on a human level, there’s another lesson here.  How does this lesson translate into the life of a writer?  Like this:

A Writer’s Version:

An author submitted his manuscript with great hope.  Then one day in January, about nine in the morning, an editor called and gave the author the most wonderful news!  The author was being offered a two-book deal with a modest advance, and the book would be released in mass market paperback.  The author was thrilled.  After many years of writing and submitting, he would finally be published. He had achieved the dream at long last!

Some months later, the author went to a writer’s conference. This year, he was thrilled to be arriving with a .jpeg of his new book cover, safely stored in his iPhone.  It was a wonderful cover, and best of all, was emblazoned with his name in big, gold letters.  Life couldn’t get any better! 

While he was waiting in line for the big conference banquet, he ran across a woman he’d met on a writers’ loop two years ago when she was just finishing her first manuscript.  He was thrilled to tell her about his upcoming novel and show her the .jpeg of the cover on his phone. 

The woman congratulated him, then reached into her briefcase and handed him an advance copy with a glossy cover.  She had sold her manuscript right after the last conference, after only two years of rewrites and submissions.  She’d also secured a successful agent, who had negotiated a nice advance and good contract terms.  Her book was coming out in the fall in trade paperback, and her publisher was sending her on a small four-city tour.

The author felt the sting of disappointment as he let his phone go dim and tucked it into his pocket.  Why hadn’t his publisher printed beautiful, glossy advance copies of his book?  Why wasn’t he being sent on tour? What was wrong with his agent?  Didn’t the agent know they should have held out for a better deal?

376464_4617395987699_610718871_nThe questions weighed heavily as the writer entered the banquet hall and found a seat.  His companions at the table exchanged business cards and talked about their works-in-progress.  He mentioned his upcoming book, but didn’t bother getting out his phone.  After all, not having advance copies to throw around made him seem small-time.

He was relieved when the Master of Ceremonies took the podium to introduce the keynote speaker, and the table talk tapered off.  He tried to focus on the MC and enjoy the dessert the waiters had just served up, but it’s hard to enjoy anything when your publishing deal is so much lousier than someone else’s. 

Finally, it was too painful to think about it anymore, so he tuned in as the keynote speaker came to the mic.  The speaker looked young.  Very young, and nervous.

“I never really thought about writing a book,” the kid admitted, “But I had a dream one night, and when I woke up, I remembered all of it, so I sat down and wrote it straight through in three-and-a-half weeks. 

“I never thought I’d show it to anybody, but my mom’s housekeeper read it, and that day she was cleaning for a literary agent next, so she offered to take my book along.  The agent was at home sick, so she read my manuscript.  She called me the next day and said she’d been up all night with my book.  She’d already talked to five publishers that morning, and she thought we could get mid-six figures at least, for just the book rights.  So, while the auction for the book rights was going on, a film producer called the publishing house and asked if they had anything with dogs or weddings in it, and my book is about dog weddings, so then we sold the movie rights…

The writer pushed away from the table, tossed off his napkin, and headed for the door. Staying in the room any longer was pointless.  When life is so ridiculously unfair, it’s impossible to enjoy anything.

Even your own slice of chocolate cake.

– Lisa

Blue Moon Bay one of BOOKLIST’S 10 Must Reads Of 2012!

Firefly Island on shelves now!

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May
17

The Most Unlikeliest of Movie Reviewers by Shellie Rushing Tomlinson

Greetings to the SBV community and Happy Friday! I hope you’ve enjoyed movie review week here on the porch. I know I tucked away several new recommendations— to watch for when they come out on DVD! It’s true. My man and I seldom make it the movies which means we’re usually talking about the movie the rest of the world saw last year, if not the year before.   If we do go to see a current movie, chances are it’s a sports theme that has pulled us in. (We’re that family, the ones who can pop popcorn and watch Hoosiers over and over like we do not know who is going to win in the end. )

Lately, however, something has been happening at All Things Southern that is changing the movie landscape at our house. I’ve been interviewing authors on my talk show, ATS LIVE, for a long time now.  Every day I hear from publicists interested in securing an interview for one of their clients. I love it, too. The only downside is scheduling. The requests far outpace the radio time!  This new development is adding to the lovely chaos.

In the past six months or so, ATS LIVE has made it onto a list somewhere out there in publicity land as a movie reviewer. DVD’s are now being delivered to my door by my sweet Ups man with almost as much regularity as books! I’m not complaining, mind you. I just need to wisdom to make this all work.  I’ve interviewed some really cool people lately, but I’ll choose one to tell you about today.

One of my recent guests was Shervin Youssefian, the Writer and Director of Crossroad, an emotional and inspiring story of redemption, forgiveness and the ultimate realization of God’s grace at work in every life. I can’t begin to tell you how much my man and I enjoyed this movie, winner of 5 Dove Awards!  Here’s a link to watch the trailer:

crossoroads1-300x159 I’m not sure it’s still showing on the big screen, but you can find it on DVD.  ~wink~

Hugs,
Shellie

Shellie Rushing Tomlinson is an author, speaker, radio host and most unlikeliest of movie reviewers. You’re invited to follow her home to http://www.belleofallthingssouthern.com and join her ongoing southern celebration of faith, friends, and family!

May
16

The Great Gatsby

UnknownWith the opening of the latest version of The Great Gatsby, I decided to watch the 1974 version of the film.

One, it starred Robert Redford. Hubba. Two, it was free. Hubba-hubba.

It was a Sunday afternoon and I’m usually pretty tired after a busy church morning, so I dozed off during the film.

But when I woke up, the plot hadn’t advanced much.

Frankly, the ’74 version of The Great Gatsby was slow, a bit boring and lacking any real emotion.

Other adaptations are:

The Great Gatsby (1926), a silent film, directed by Herbert Brenon and starring Warner Baxter as Gatsby, Lois Wilson as Daisy, and William Powell. This film is considered “lost.” (Isn’t that sad?)

The Great Gatsby (1949), directed by Elliott Nugent and starring Alan Ladd as Gatsby, Betty Field as Daisy, Shelley Winters, Macdonald Carey, Barry Sullivan, and Howard Da Silva.

Wonder if this version is on Netflix. Maybe YouTube?

And, a 2000 version starring Toby Stephens, Mira Sorvino, Paul Rudd and Martin Donovan.

But now the 2013 version is out.

The trailer looks vibrant and wild, almost over-the-top with color and characters.

But isn’t that what the Roaring Twenties were all about? Over-the-top?

DiCaprio plays rich, eccentric playboys well.

Toby Maguire seems to be the perfect Nick Calloway.

The costumes look extraordinary if not a bit modern.

Will I see the movie? Yikes, I don’t know.

It’s just interesting to me that F. Scott Fitzgerald’s thin little book has so profoundly impacted literature and now film.

Is the book that wonderful? Are the underlying social comments so intriguing? Are there no other stories to tell?

Why this book, again? Five movies on The Great Gatsby! Wow!

Some times I think it’s easier to retell a story because the foundation has been laid.

Previous films worked out the plot, the screenplay, the filming.

A new writer and director can build off of that to create a higher, broader, bigger view of the “same ole story.”

The story is not new to us. But the filming and staging is new.

Besides, it’s fun to visit the ’20s again.

Why go see The Great Gatsby in 2013? To see how far they take the ’20s decadence? To see the costumes? To hear the music?

To watch DiCaprio and Maguire? To see how Carey Mulligan plays Daisy Buchanan?

Often, if we know the story line going in, we can focus more on the characters and events of the story themselves.

But in the end, I’m pretty sure Gatsby will die. Daisy will be ruined and Nick will wander off, pondering life.

What about you? Will you see The Great Gatsby? If so, why?

***

Rachel Hauck is a storyteller. She is on deadline. “Better get to work, girl.”

Her latest, Once Upon A Prince, is “brilliant,” according to Rel, of Relz Reviewz.

Vist her at www.rachelhauck.com

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